It begins with the waves.

Waves made of water,

waves made of sound.

QUINQUIS, the first female electronic music producer composing in Breton language, is redefining the boundaries of music in Celtic languages with a sound that is as rooted in history as it is relentlessly forward-thinking. Singing primarily in Breton, the Celtic language of her ancestors, QUINQUIS crafts music that feels both timeless and entirely new—a delicate, ethereal blend of tradition and avant-garde innovation.

With her astonishing new album eor (tr: anchor), QUINQUIS has reached a career-defining moment. Produced by the legendary Gareth Jones, eor stands as a modern classic, an album that pushes everything further—emotionally, sonically, and creatively. The record’s shimmering electronic landscapes and deeply personal melodies reveal an artist unafraid to explore new terrain while staying connected to her roots.

Adding to eor’s brilliance are its breathtaking collaborations. South African vocalist Desire Maria contributes an otherworldly performance, singing in Zulu and infusing the record with profound cultural resonance. Meanwhile, Welsh artist Cerys Hafana brings her singular artistry to a spellbinding track, weaving modern textures with echoes of ancient traditions. Together, these collaborations amplify the album’s ambition and emotional depth.

With eor, QUINQUIS isn’t just pushing boundaries—she’s redrawing them entirely. Her ability to blend Breton heritage with cutting-edge electronic production places her among the most exciting voices in contemporary music. A vital artist to watch, QUINQUIS is proving that the future of music in Celtic languages is as boundless as her vision.